Original etching, signed on plate; Bartsch XVIII, 20.3;
Splendid proof, sharp and well-inked, characteristics that render Procaccini's precise yet delicate mark. Impressed on paper with "Grappolo d'uva" watermark with very regular grapes and similar to that reported by Briquet no. 13163, dated by the scholar around 1580-89. Complete with the entire marginal line and in perfect condition.
Camillo Procaccini made three etchings dedicated to the biblical theme of the Rest during the Flight into Egypt, compositions pervaded by an atmosphere of soft and delicate lightness, by an intense spirituality that represents one of the fundamental characteristics of his art. The three prints show an artist who is very attentive to the construction of space –called 'shell-like'– rendered through the rich vegetation and plays of light that enclose the scene, while at the same time allowing the viewer to be highly involved. The calm and calm gestures of the characters, the simplicity and immediacy that dominate the entire scene depart from the Baroque emphasis and recall the manner of Carracci and, above all, Federico Barocci (Urbino 1535-1612).
The episode of the Flight into Egypt is taken from the Gospel according to Matthew. The evangelist recounts that after being visited by the Magi, an angel appeared to Joseph in a dream to warn him of the danger that the Child Jesus would run by remaining in Judea. Following his advice, he decided with Mary to flee to Egypt, which was a ten-day journey from Bethlehem.